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About Me

Claire Rudin
Born in England in 1966, a somewhat nomadic life followed, growing up in Wiltshire, Malawi and Hong Kong. In 1985 I began studying a Bachelor of Education with a specialism in Art and Design under Sue Tuckett at The University of Gloucester. Here I discovered batik, while my parents lived in Indonesia, a lifelong passion began!


My first teaching job was in the Island of Sark, where I also first exhibited and sold my work in the Sark Glass gallery. 5 wonderful years in Sark, then the nomadic life continued, as my husband to be became an aid worker and I travelled with him, to Rwanda, Khartoum,
Jerusalem and Ghana over 12 years. Returning to settle in Cambridge in 2006.


Throughout, education and Art have been the cornerstones of my career, alongside an incredible cultural immersion, where the craftsmanship and Art discovered on my travels have always held a deep fascination and are a constant source of inspiration. In 2010, I became Joint Head of Art and more recently Head of Art at King’s College School in Cambridge.


Whether I chose batik as my medium or it chose me, I feel it is a medium which crosses cultures. Batik has a rich history, spanning continents, being widely used in the Far East, Asia and Africa and now increasingly so in Europe and the Americas. This cultural diversity holds an
important place in my work.

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Screenshot_2021-09-30 Claire Rudin-Willis is on Instagram • 117 posts on their profile(3).

Upcoming Exhibitions

Stamford Arts Centre:  

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  • Gallery Exhibition: 19th – 31st October, 2021

  • Artist Market: Sunday, 31st October, 2021

Exhibitions
About Batik
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About Batik

Batik is both a fine Art and a craft, with centuries old history originating in the Royal courts of Indonesia, a fine Art of intricate and beautiful detail to a craft practised in villages, producing admired and sought after cloth, for all occasions.

 

Batik is a process of creating pattern and design on fabric, using layers of hot wax and dye. I use natural fabrics, silk, cotton and linen, hot wax is applied to preserve the existing colour of the cloth, dye is then applied, which colours any areas unprotected by the wax. This process is repeated time and again until the final result is achieved. The wax is then removed from the finished piece.

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In October 2009 Indonesian Batik was added to UNESCO’s list of Intangible Cultural Heritage to
Humanity. October 2 nd is now ‘Batik Day’ worldwide, in Indonesia it is now a national holiday, when politicians, students and everyone going about their day to day business wears batik. This practise is also encouraged every Friday!

Find out more about batik’s unique process and rich history here.

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